MARK BRUNDRETT: CONNECTICUT MUSICIAN, MENTOR AND BUSINESS MAN
Mark Brundrett is a passionate and open-minded drummer with over twenty years of live performance experience and a decade of touring under his belt. His journey as a musician has been fueled by a dedication to quality—from maintaining top-notch equipment to continuously refining his skills. Mark has had the privilege of recording on numerous albums across a wide range of musical styles. He is also a private drum instructor who owns Beats By Brundrett at Studio 19, which is both a rehearsal and instruction space. Really enjoyed doing this interview.
For those unaware, one of your occupational hats is being a teacher to children four years old and up. Please elaborate on the offerings you provide that set you apart from other educators. Further, would you advise a "typical or standard" age for someone to start playing an instrument? Also, LOVE that you offer the first lesson for free!
Yes, of course, the first lesson is free! Kids can change their mind quickly so, as a parent, I like to give some wiggle room. As for the offerings, I let the students select the music as opposed to telling them what to play. I had a lot of teachers when I was younger saying “you need to play this, or you need to play that,” That is all well and good, but for beginners it's paramount that the interest level spikes each time they sit down to play. With their selections of music it keeps them engaged and also promotes “active listening.” Listening intently to what the drummer is doing during that song and maybe it sparks something in the mind of the student that they never heard before, or in the very least gets them familiar with different arrangement styles. I started playing around six years old, but I also had two older brothers and plenty of drums at my disposal (thanks Mom and Dad!). I encourage any child to get familiar with rhythm, tempo, and dynamics and that is the basis of what I teach to the younger students.
My 21-year-old son is a drummer, so these questions can get me brownie points at home. First off, have you experimented, or can you advise on the new ecofriendly/hybrid drums? If not, do you have recommendations to others on what the best brands are to start on, or for long time drummers to experiment on?
That's awesome! Tell him to keep playing no matter what, keep going! In every industry, eco-friendly options are always a good thing! My family and I are very much into anything that we can thrift, reclaim, or repurpose. Let's be honest, every industry has an extreme amount of waste no matter what it is. When I shop for drums or even put together kits for my students, I am always shopping second hand. Even drum shells that are on their last legs can be used for something, and it's up to us to make sure items have a second life so to speak. I haven't been exposed to ecofriendly or hybrid brands mainly because I am very content with what I currently own and what I play. It is certainly something to look into though. One of my main kits was refurbished and reconditioned from an entry level kit into something I can play anywhere. I cut the shells down, re-did the bearing edges (where the drum head meets the shell; an angled edge produces more consistent tone and resonance) and stained the wood underneath the wrap to make it more eye-catching. I use this kit now mainly on bar gigs where space is a premium and the other musicians I play with appreciate the extra space they now have lol.
Also, have you heard of the practice of motivational drumming, and would you ever implement that into your instruction?
As far as motivational drumming is concerned, I believe that it is a great tool to develop your own sound and style behind the drum kit. The best brands to play or start on, are the ones that you can afford! I'm a firm believer experimenting with different brands, especially cymbals because they can be soooo expensive. Make your choices speak to you and not other people. Most of the time, brands will be quality made and you don't have to stick to the big name brands, in fact I encourage students to explore as best they can Tracks with no drums really open the door to endless possibilities to what you can do within the track you are playing. You are no longer tied to what you hear the drummer playing, you are free to come up with your own part. I host sessions where intermediate to advanced students take part in this exercise. We work together to come up with something cool or different to give the song a different vibe. It's a challenge sometimes but always very fun.
You are the Owner of Beats by Brundrett in Clinton, CT, where one can get lessons, do session work or rent rehearsal space. I note you are closed on weekends - any particular reason for that? Also, please speak about the impact your business has had on the community to date.
Co- Owner. Yes, my wife plays a very important role in what we do. She keeps things organized on the administrative end and is always encouraging me to try different approaches with students. Her ideas are what have helped the popularity of our space grow to what it is in such a short time. She also built a large part of the studio and helps me keep it inviting and cozy. Beats By Brundrett is a program I am always developing and refining based on the skill set of the student. We take fundamental rudiments, demonstrate the technique and use of them, and apply them to the drum kit. Combine that with some theory and incorporate the history of the instruments along with world percussion and influential drummers, and you have Beats By Brundrett. Studio19 is where it all takes place, which at the time was closed on the weekends since I am involved in many different groups and am usually out playing shows most weekends.
Demand has opened to include Saturdays, and they have quickly become one of my busiest days. At first, I wanted to reserve time exclusively for my family but with their blessing I have opened up Saturday mornings during the school year and am looking to do more during the summer months as well. I have students primarily from the shoreline area, but also people coming to me from as far as Waterford/New London. Our community impact has been based on some unfortunate circumstances we found ourselves in regarding the death of our youngest son Patrick, four days after he was born completely unresponsive. I swore that I would host any child or adult who had the slightest interest in drums. I wanted to be sure that they got a shot behind the kit because my son Patrick will never be able to. We have been advocates for child loss, mental health, and encouraging anyone regardless of who they might be, disability, or experience, to step into the studio and have a seat.
You have been doing live performances for over twenty years and touring over a decade. A few questions relative to this: does one ever get burnout from being on the road? How have you learned to properly balance performing in person with being a business owner? Finally, tell me your impressions of today's drummers vs. when you first started - has the art form itself changed at all?
Burn out is real…very real. It happened to me about fifteen years ago when I was touring eleven months out of the year for about ten years with my band These Green Eyes. Between the physical, mental and emotional demand of playing every night, coupled with the stress added from an industry perspective, we crashed and burned. We recently got back together and played some amazing shows in CT and had a hell of a time doing so. Since then, I have become more of a regional musician. The shows I play mostly take place here in CT, but I have played all over New England recently and will soon be venturing back into the NYC area. Thankfully, most of the shows I agree to play take place on the weekend and there is never a night I am not home with my family in some capacity. That keeps me grounded and that keeps me within my means, especially mentally. The decisions are made as a family unit, we talk about what works for us in terms of shows and we try to make an appearance as a family at whatever shows are booked wherever it might be. That's very important to me. We honor our family first, and I try to involve my wife and my sons - both living and deceased in many different ways.
Drummers today seem to be very much motivated by social media, and I think that's awesome. Whatever gets your name or band or brand out to people can only be a good thing. However, there is a huge difference between being an Instagram drummer and a musician. A lot of the content seen online is basically drum solos over a pre-existing song, and they can be very impressive. A lot of these drummers end up landing huge gigs which is the point, right? Or at least I think so. Playing with other musicians has always been the end goal for me and I have set my success as to the people I am playing with and the caliber of shows we are collectively playing. If that isn't the goal for a drummer, then I get confused as to what it might be. Today's drummers are collectively better at their age than I was at that same age, but when it comes time to sit down and serve the music, there lies the challenge of it all. If that's not happening, then you are just someone overplaying on a Dua Lipa song inside someone else's phone. Plus, the amount of time you have to dedicate to recording your social media posts and editing them, the lighting, and making sure you look good playing, all that takes an incredible amount of time. More power to the person who does all that for sure.
One of the most traumatic events in life for a parent is the loss of their child. Your life story finds you having lost your youngest son, Patrick. What would you like all of us to know about him? Also, how are you keeping his memory alive?
The loss of our son Patrick was by far the most traumatic event I could have ever imagined. He was born via emergency c-section and was delivered unresponsive after a “perfect pregnancy.” He was nearly nine pounds and was incredibly healthy throughout the pregnancy. He didn't breathe for nineteen minutes when he was born but was brought back to us. (That nineteen minutes along with his older brother's birthday falling on the nineteenth, lends its name to Studio19.) We believe it was just so we could hold him and spend some time with him. Our lives have completely changed, and I don't think we will ever feel “normal” again. I refer to my previous years touring as a “past life”, and I mean that 100%. I don't feel like I am the same person and that person who I was no longer exists. Patrick’s life was cut incredibly short and I believe that we will never fully recover from the impact he had on us. I like to think of our time with him as filled with so many different emotions that it felt like time stood still for so long after; still does at times. I remember holding him after we made the decision to take him off life support, and feeling this intense calmness, almost like when it's snowing in the dead of night. I try to chase the feeling, and the only thing that comes close is when I sit behind a drum kit. Studio19 was born out of his life. It is to honor him and the way he had shown me personally that nothing else matters in life besides what helps you get through the day. Drumming helps me get through the day. Like I mentioned before, I unfortunately can't teach him how to play, but I will teach whoever else wants to learn.
You designed a shirt with profits going to the Sad Dads Club. What was the primary reason for selecting to support their endeavors?
We designed a shirt with proceeds to go to Sad Dads Club. Sad Dads Club is a peer-to-peer support group for bereaved fathers across the globe. I was searching for something specifically related to fathers and their experience with child loss because, well, I didn't know anyone who I could talk to about Patrick that would understand. I found them after searching online and came to find out, one of the founding members is a former touring musician as well. It seemed perfect and it has been. My longest tenure with a band is These Green Eyes. Basically, since high school I have been making music with these guys. We have gone through A LOT together and our band has always been advocates for mental health and especially suicide prevention as we unfortunately have experienced too much loss do to suicide. They came to me while we were getting ready for the reunion shows with an idea of an online exclusive t-shirt design. I got with the artist and designed something that I am very proud of and the proceeds were donated to Sad Dads Club. They have supported me through all this, and I feel like it's the least that I can do for their impact on my overall wellbeing.
I realize that you have four showings coming up in March. What else can we expect from you in 2026?
I am always excited to play shows no matter where or for who, so there will be more events than just these. There will be new music released by almost every project I am involved in, and I am also accepting new students all the time. I am also in the beginning stages of organizing a showcase for my students locally here in CT so they can experience the thrill of performing for a crowd. They have worked so hard, and they deserve to show everyone how far they have come.
To learn more, visit: Beats by Brundrett | Drum lessons in Clinton CT | Clinton, CT, USA
D.K. LYONS: LIFE, LOVE AND LOSS HELPED HIM FIND HIS VOICE
D.K. Lyons is a singer born in Massachusetts and is now based in Manhattan. 2020 was the release of his debut album to rave reviews and over 25K organic Spotify streams. From 2021-2024, he completed another diverse array of singles, and is currently on his third EP, "Darling Kiss Louder." He is a fan of dancing, being bold and puts huge value on being humble and authentic. Grateful to get some time to discuss his accomplishments.
While doing my research, I read that you have written over 1,500 songs. What is your process for determining which ones will be released vs. others that will be retained just for you?
Yes! Dating back to when I first started writing song titles down and singing them while pretending to play guitar on a tennis racket at age five, there has never been a moment of my life where I have not been writing. I always like to joke though that in that process, I found 1,400 ways to not write a great song. However, at this stage of my career, it is less about volume and more about quality. I don’t like to write the same song twice at this point or cover topics, emotions, or stories that I have already tread on before. So, to answer your question, there are probably 1,400 songs buried on cassettes, CDs, and old hard drives that will never hear the light of day but are reminders to me of the journey I have been on.
Any great advice to give new songwriters on some of the best ways to write songs that will both entertain and engage audiences?
Advice-wise, it’s cliche, but my best piece of advice is to truly write from the heart. Audiences can tell when something is forced or if someone is trying to make a hit. The best way to learn how to stay authentic is to listen to the greats, listen to artists that inspire you, and find out what about them resonates with you. Then, find the piece of your story or your perspective that you feel evokes the same response and chase after that.
You have said that Road Trip Mixtape was one of your favorites that you wrote, so please tell us what about this melody made it your favorite?
It is a deeply personal song about my sister and the journey we’ve shared together; the pain, the joy, and how neither of us could fathom life without the other. It’s meant to feel like a warm blanket that can represent any close relationship that shares those traits and has definitely resonated with audiences in that same light. Like most of my songs, the verses are hyper specific to details, places, and things in our lives but the chorus is about as universal as you could imagine and is really meant to say something very basic and true: I will always be here for you, and I know you will always be there for me.
It is very clear that you do all you can to honor females. Share with us your reasons for holding such admiration and adoration for women.
I grew up around and was primarily raised by women after losing my father when I was six. The women who have raised and shaped me have always served as my primary inspiration and I guess I’ve just always felt naturally compelled to try and honor them.
I am thrilled to hear that you have found true love. Tell me how that has changed you as a person and professional.
Thank you! It was quite kismet, as my last EP was written about six months before we met and is very much questioning whether or not true love can exist in these strange times we find ourselves in based on my previous experiences. Then boom, my questions were answered in a resounding yes, it does exist.
I interview a number of artists who have admittedly had struggles, and I admire their strength and resilience. You have shared that you suffer at times from feelings of self doubt. To anyone else who may read this and have this issue, what suggestions would you give them on coping and overcoming this psychological struggle?
It is honestly a daily struggle that will never go away completely, but there are things I have tried to do to mitigate its impact on me. Things like prioritizing exercise, taking mental health breaks, and staying off social media have all had positive impacts in my life in this regard.
How do you ensure that this does not impact your work?
In terms of it impacting my work, I’ve increasingly gotten to the point where I am my own intended audience and I work extremely hard to make music that I like and feel good about, and from there I just put trust in the universe that the music will find its way to other people like me. I think one of the biggest struggles for artists is feeling like they need to be exactly like whoever is currently famous and do what they do or that they need to entice every possible person to be their audience, when in reality all you need is to find a small percentage of the right people to really have your music make an impact. I am still working to find those people, but those are some of the lessons and realizations I’ve come to in the past year or so when it comes to fighting off the self-doubt and struggle to keep going despite all of the challenges that life throws at you.
I myself lost my father last year and am still processing this loss. You were six when this happened to you, and how has his lack of presence shaped the person you are today?
I am grateful for my lifelong support systems, but I also had to learn, do, and struggle through so much on my own because of the lack of a father or consistent father figures in my life. To be frank, it sucked and still sucks, but going through all that I did has made me the person I am today. I simply would not be the artist I am, as a lot of my music has been focused on trying to process what happened, grieve for him, and honor him by becoming someone he would be proud to call a son.
You have years of experience working in advertising. From your perspective, why do you feel that the appeal of commercials to consumers is on a decline?
Whether or not people admit it, consumerism and our obsession with brands and products is a poison, and all these brands want to do is exploit our passions to make as much profit at the lowest possible cost. Ads used to be part of the arts culture and now they have just become over bloated exercises in cramming celebrities into boxes and trying to “go viral.” I think you saw it with the outrage during the Super Bowl with the Coinbase ad that was basically a new version of the Rick Roll. There is just a lot of subconscious buyer fatigue, which is why influencers have become so prominent because people are more apt to trust people than brands, even if those people are controlled by the brands. Anyways, rant over!
Have you found greater success with pushing your own music due to your background?
I’ve definitely found certain successes thanks to my experience, but at the same time, marketing music right now is insanely difficult. The record industry has consolidated into a monopoly structure and can basically determine what’s hot vs not by nature of their budgets, and then there’s an ocean of indie artists all just trying to stand out in an incredibly over-saturated environment. So, I am still searching for answers on where things are going and what it takes to be successful in this current environment, but it does feel like big changes have to be coming sooner than later.
I truly respect the fact that you use your music to create connections, and also that you never choose to compromise your musical integrity. Please share with me some of the feedback from your fans as to what they appreciate about you and your music.
Thank you for this! I think the biggest and most consistent feedback I get is at how catchy and universal my songs are, which is amazing because my litmus test when I am writing is to imagine playing live and hearing a crowd of people singing the chorus. And if I can, then I continue forward, and if not, then I push myself to keep reworking until I get to that point. There is truly nothing like playing live shows and getting to see which songs really resonate with people in real time, and we have a couple of songs like “Fake Ray-Bans” and “Girls of Summer” that have taken on lives of their own because of the live-music environment, to the point where a band of our peers has started to cover “Ray Bans” in their rehearsal sessions. And then a song like “Girls of Summer,” I’ve had fans tell me that every time we go to close a show, they’re nervous it’s not going to be that song because it always gives them a chance to jump, sing, and find release that they look forward to at every set. So little things like that really make me feel proud of what I do.
What can we expect from you in 2026?
My 2025 got cut short by some health issues (things trending up now thankfully), so my drive to make 2026 a big year has never been stronger. I have got some really exciting things in the works, from some collaborations on a couple of special songs to a new EP that will serve as a companion to my 2025 EP “Darling Kiss Louder”. It is going to be another fun year of releasing music. Additionally, we are starting to plan a return to the stage this spring after taking that break, so we are already thinking big in terms of how we’re going to show up live this spring, summer, and fall.
To stay informed on his future endeavors, see: D.K. Lyons
LEVI BLOM: ONE OF MONTANA’S MYSTIFYING MUSICIANS
Musician Levi Blom is a Southern Montana native. He was born in Butte, Montana and raised playing sports - including semi-pro hockey. After his hockey career ended, he began his music journey in 2016 and quickly fell in love. Levi has found himself amongst an awesome group of musicians, and together they have opened for awesome acts such as Joe Nichols, Stephanie Quayle, John King and Logan Mize. Reckless Kelly, Blackhawk, Sean Stemlay, Whitey Morgan, and Mike Ryan. Further details on Levi are here: Musician | Levi Blom | United States
Here is our interview: Celebrity Interview - Musician Levi Blom
Mick Louis: A Musician Finding Strength Through Song
Mick Louis is the Frontman for Connecticut based BEST Southern/Country Rock Band, "The Mick Louis Band". He is a Connecticut Native and proud New Englander. With influences ranging from Country and Southern Rock artists like Dierks Bentley and Lynyrd Skynyrd, all the way to songwriters like Jason Mraz, Mick has created a style ALL HIS OWN. Mick released his debut album, “Rebel Soul” a few years ago. Excited to learn more about Mick’s career and creations.
To commence, I see that you regularly use a Gibson guitar - and those are well known for quality and versatility. Are there other brands you have tried which you would recommend to other musicians that work as well or similar?
I have been using Gibson guitars for quite a few years now. They have never left me stranded, and they always have my back, especially in the smokiest of bar rooms. Outside of Gibson, I am a big fan of Taylor acoustic-electrics. I use a Taylor 214ce as my main acoustic electric. Before that, I was using a vintage Yamaha FJ-645. I would definitely recommend Taylor & Yamaha to any working musician out there.
If it is okay with you, I want to touch on a subject that affects about 18 percent of the US population today. You have battled anxiety and depression. Is this ongoing, and name one or two things that are instrumental in aiding you with these struggles? For those out there living with loved ones in this same situation, what suggestions can you share as far as how we can best help them?
Like many others out there, whichever mental illness it may be, it is one of those things that follows you through life until the end of it. However, I do not let it define me, and I don't think anyone else should either. It is not the struggle that defines you, but how you break through it and learn to live a better life despite it. I am a big believer in medicine, and an even bigger believer in therapy/counseling. There is nothing wrong with needing help; that's why it's there. As far as living with my struggles, music is the big one that helps me get past it. I have said since I was a pre-teen dealing with anxiety/OCD that the band, Shinedown, has been a big part of helping me get through it. When I was nineteen, I was going through one of the roughest patches of life so far, and Shinedown had just put out an album titled, "Attention Attention". That one was huge for carrying me through. To be more specific, the songs, "Get Up", "Brilliant", "Creatures", "Monsters" & "Devil". In addition to music, therapy & medicine have definitely helped a lot. I believe that if you talk about the "monsters" in your head, that is the best way to take their power away. Should you struggle with anxiety, an Anti-Anxiety/SSRI medication definitely helps.
You are the Frontman of the Mick Louis Band, which was started in 2022. You have played in CT, NY, RI and Massachusetts - but no Pennsylvania? How did we get that to happen? Further, you have three other bandmates, so do share some details on who they are and how they best add to the success of your band?
We have yet to play Pennsylvania, but I would sure love to! One of my favorite songwriters, Jim Croce, is from there. My bandmates are more than bandmates at this point. They are now more like my brothers than anything else. I would do anything for them. Jason Werner is on guitar. By day, he is a stone mason, and by night - he's my guitar slinging partner and always ready to tear it up. John Carpino is on bass guitar. He is retired and quite possibly the best bass player in all of New England. I have seen that man play bass licks that my brain would never even think of playing. Tim Hamel is our drummer. He has years of marching band experience, and the way he channels that into playing a whole drum kit blows me away every night. Those three men back me up better than any set of musicians I have ever played with to this day. They definitely bring my original songs to life with flavors and nuances that surprise me at every single show. We are a well-oiled, tight working machine. I truly think without them, I would have never been able to go to Nashville or play at the Strand Centre For The Arts along with The Artimus Pyle Band. I love my guys, and I think musically we can do anything.
Your genre is country/southern rock. Many state that too often, this style is synonymous with sadness - songs are all about breakups, heartache, death, etc. How would you respond to that stereotype? Also, what does country symbolize to you as a person?
There are quite a few sad songs out there, but they are also not just in the country genre. I think sad songs are necessary, but happy ones are too. As a songwriter, I do my best to write with inspiration from true experiences and true feelings. Whether you are angry, sad, happy or glad, there is a song out there for everybody. To me, "country" symbolizes freedom, family, having pride in where you come from and being the first to face the fire when needed. I don't think you need to be from the south, drive a jacked up pickup truck or go hunting every season to be "country". I am a New Englander, but my voice has always had a little bit of a "twang" to it. I don't drive a jacked-up pickup, but I sure do like the gas mileage in my Honda. I think no matter where you live or what you drive, anybody can be "country".
You released a full-length record entitled "Rebel Soul", which holds ten tracks. I am not a musician, so I am trying to wrap my head around the complexities of creating that many original sounds and song lyrics. Is composition more time consuming than the production? Do you have an in-home studio?
Composition is definitely more time consuming than production. My studio sessions usually are not longer than six or seven hours at most. Quite a few of those songs took years to write. For example, the main guitar riff for my song, "Van Zant". I have had that riff since middle school, but I did not end up using it until much later. Outside of the instrumental side, all of those songs are true or are inspired by a true feeling, so it took some time to live some life before being able to write those songs. I have an in-home studio that comes in handy all the time when it comes to songwriting. If I have an idea, I go straight to the studio and record it, even if it is just a few chords. Having it saved somewhere always grants me the opportunity to come back to it later or even start and finish a song in one sitting. If I am on the road and I get an idea, I usually record it into my phone's voice memo.
Your brand offers a large array of merchandise. Please tell the readers what some of your favorite items are, and will you be touring with these in a city nearby soon?
My favorite items right now from my Merch Shop are the fleece hoodie in red and the camo dad hat. I think they are both very comfortable, and I definitely recommend them to everyone. We currently only tour with t-shirts & CDs on hand, but that can always change depending on demand.
More information on Mick Louis can be found here: Home | Mick Louis
Eric Harrison
Eric Harrison is a New Jersey-based singer-songwriter whose fifth album, "Gratitude," was released in November 2020. In 2021, he released the five-song EP "Good Intentions”, and in 2022 he released “Dear John," a five-song EP of originals inspired by the late great John Prine.
In 2023, Eric released the double album “No Defenses." On September 5, 2025, he released "Bittersweet," a new twelve song album.
Truly have a fun and uplifting conversation with Eric. To hear our discussions, see below.
Danny Giovanna: An Artist Finding Herself Through Creativity and Personal Courage
Danny Giovanna is a Singer/songwriter whose music lives at the crossroads of a Blues/Rock, Indie and Americana sound. Blending grit of the Jersey Coast with soul of the South, Danny creates a unique sound of urgency, comfort and captivation. Her songs are written for those rediscovering their strength, calling back their power, and learning to forgive themselves. Delighted to be covering her story and her success.
Many things to touch on with you. First off, I feel it important to mention that at present, you are a singer/songwriter. While you were in your 20's, you considered giving up on music. What made you want to stop, and also, how were you persuaded to go back to pursuing making music?
It feels so good to say that I am a singer/songwriter! During my 20’s, I went through what I call “The Lost Years”. This was a time of grief, anger and sadness. My loss was not just of another person, but of my spirituality and everything I knew about myself. Giving up on music was not a choice; it just sort of happened. I was so lost in all of these emotions, living day to day in a blur that I did not even realize I let go of this part of me. I could not focus on the future because I did not think I had one to be completely transparent. At twenty-four, I met the person who would be my life partner. I was still in the early stages of healing when we met, and she did not get to know this part of me until a few years later. I had an accident at the end of 2023, and I remember laying in bed with this sudden call to get back to the person who lived and breathed music. The person who wrote every day. The person who was determined to give back to music what it had given me. Life is short, so chase that dream. I had reclaimed that fire instantly and it felt incredible.
I am guessing music has not made you millions, as I see you have a day job as a Special Education teacher. In my research, I see that this field can be both stressful and lead to early burnout - as well as there being a shortage in this field. Is music one means to keep you balanced mentally and physically? I also realize that sometimes the label of special education can be polarizing for some students - so how do you empower these children?
Not yet…a girl can dream! Special education makes up the other part of my heart and soul. The job of a teacher is anything but easy. From Monday to Friday for six and a half hours, we are in a whole other world - one that people do not understand unless they are in the field as well. When 3:00 comes around, I could easily go home and sleep until the morning - but that is my time to focus on music. Music absolutely keeps me balanced mentally, emotionally, and physically. Music sends me into another whole world, one that I release, story tell and relax in. Even on my most challenging days, everything feels more at ease once I pick my guitar up and fall into the zone of creating.
I like that question, how do you empower these children? I try to help them embody confidence, understanding and most importantly happiness. Confidence in who they are and in who they strive to be; as a person, a student, a friend, etc. Understanding of the world within them and around, as well as others. More than anything, I want my students to look back on their time with me and say, “Man, she really loved me. She really wanted me to do my best and be proud of myself.” I want them to remember their years with me as fun, successful and full of growth. I want them to be happy when they leave my classroom and make their mark in the many places I know they will.
LOVE when I discovered you came across and added a $75 guitar to your collection. Some could say that a secondhand guitar may be lacking as to sound and performance. How has your experience been?
Oh, me and that $75 guitar! That guitar is the reason my first four songs were finally completed. That guitar is the reason I marched myself to an open mic with shaking hands and played my song, “Sinners and Saints” for the first time, making it a turning point in my music career. I grew up singing in bands, I wrote songs, but relied on other musicians to help put chords behind them. When I bought that guitar about a year ago (November 2024), it was merely to help me get melodies behind the songs I had been writing. I was desperately seeking a partner to come and help me bring them out to perform, but it never worked out. I sat down with that guitar and said, “Enough is enough, I am picking 4 chords to use, and we are making this work.” and that is exactly what I did. I always had a PSA during those first few open mics. I would say, “Hi, I am Danny and this is my $75 youth guitar. We are still learning each other.” This would lessen the pressure I felt standing up there and give the audience a reason to giggle if I completely messed up. The crowds were kind to me which was all I needed. That guitar ended up breaking six days before a festival, leaving me with no other choice but to purchase a “grown up” guitar and move on up in the musician world.
The vocals you create are chock full of messages that speak of renewal and resilience, which are many times reflective of your journey. How does one find their voice when their waters are often full of troubles and tragedy? Also, do you find yourself more creative when singing in the bathtub?
This one gave me chills. This is why I am here today, because The Universe, The Divine, a Higher Power knew I had to get this message out there for others. What I am going to say is what I needed to hear eight years ago. Feel everything. Feel every single emotion you have to feel during your times of trouble and tragedy. Feel it, but do not bring others into your sinking ship. This is a journey for you and you alone to complete. Your voice is all around you. It is in the movies you turn to (Steel Magnolias!); it’s in the sacred places you run off too and it’s in the music you listen to. The songs you blast in the car that make you sing until tears are falling down your face, the ocean water hitting your bare skin that takes your breath away and the lines from your favorite characters that make you laugh as if hearing them for the first time. Your voice lies within all of the things that make you, you. Connect the dots and then connect them inward. Your power, your voice, and your strength never leaves you. Sometimes they are hard to find but they are there if you are willing to feel. Do the inner work and heal. That voice will suddenly be there as if it never left. Through all of that you will realize you are not really alone. The people who wrote these songs and movies or the people a few feet away who are barefoot in the water with their eyes closed have had or are having similar experiences. If I can reclaim that voice, I promise, you will as well.
Water is SUCH a catalyst for creativity, I actually find myself coming up with ideas when I am washing dishes! I zone out while doing this, and suddenly I am running to my little studio with a half-washed spoon in my hand - writing down the idea that crossed my mind.
During preparation for this interview, I discovered your wife - and you mention that she tends to be your biggest cheerleader. In what ways do you feel she enables you to be more entertaining or engaging with your audiences? Any chance she will join you when recording?
My wife is the kind of person I hope everyone finds. I even said it in my vows, “I hope everyone finds their Alexandra in life.” She always gives me a little pep talk before a show. She will say, “Just be yourself up there and they will love you the way I do.” (So sweet!) She just so happens to find me to be the wittiest person alive so when I am on stage going about with my banter, I will always catch her giving me a thumbs up or a nod. When I see her do that, I know I am keeping the audience engaged in all the right ways.
I will give her this, Alexandra does a great performance of Darius Rucker’s “Comeback Song.” So, maybe there will be a little country duet in our future…ha!
Unfortunately, one of the things we share as to life experiences is the loss of a parent. Please share with your readers more about who your mother was, and also, have you done an homage to her within any of your songs?
I could write about my beautiful mother forever. My mom, Jackie, is the reason I stand here as the woman I am today. She shaped me with her words, her advice, her love…watching her and all she did. I wrote my parents a letter one summer explaining how much I wanted to sing and begin performing when I was young. I was in vocal lessons a few months later. She drove me to lessons, shows and practices. Jackie had two other children, a job, and a house to run but made sure I never missed an opportunity for something I was so passionate about. She was the kind of woman who was born to be a mother, as well as SO many other successful roles. She also worked in Special Education and was loved so deeply by so many. Even when she was sick, my mother had a beautiful smile, caring heart and warrior energy. I remember friends growing up always wanting to hang out at our house because they felt welcomed and safe around Jackie. People still stop me in stores and ask, “Are you Jackie’s daughter? I have the most wonderful memory of her…” or “Oh, to hear Jackie’s laugh one more time…” She sure did have that kind of laugh.
I have so many songs written for her, yet I feel as if they do not capture her enough. I am constantly revising them. I have songs written from my point of view, my father and sibling’s point of view, and even hers. I go through her cards, notes and letters religiously; always pulling out another line of inspiration. I will spend the rest of my life paying homage to the woman who gave me everything I have - whether it be through music, poetry or the little things she loved to do like walking along the shoreline of Cape May or dancing around the kitchen singing into wooden spoons.
Hurricane in A Shot Glass is the name of your single. Do offer us a short synopsis of what the song is about, and how has the audience reaction been so far to this release?
Hurricane In A Shot Glass - that line was thought of during a dish washing moment and is about loving a free-spirited soul! My grandfather called me Hurricane Danielle because I would come through like a storm. Alexandra always joked that I was the storm to her calm. Everyone has a little Hurricane in them and when you find the person who loves you for exactly who you are, it is a beautiful thing. The song has elements of this free-spirited person being a little cautious with who they give their heart to because of being hurt in the past, but the person who is falling in love reassures them, “Hurricane In A Shot Glass, you don’t scare me.” We are all out here looking for that person who is not afraid of the messy, wild and sometimes challenging parts of us. I have gotten such positive feedback on this song so far. I keep getting compared to Shania Twain with this one, which is such a compliment. Once you release one song people begin to ask, “When’s the next one?” or “When’s the album?” I could not have asked for a better reaction. I can only hope people continue to stream it, pass it along and share with others. It has been put on the rotation for a couple of independent radio stations across the U.S! Getting emails about that the first few times are moments I will remember forever.
Now that your first single has been released, what are your next steps in the months to come?
Well, this interview was a HUGE accomplishment for me. The moment you responded to my email, I let out a little scream in excitement. You were so kind, welcoming and positive. I cannot thank you enough for all that you do and taking the time to get to know little ol’ me!
I have another song being released within the next few weeks called Hitchhike! It is a blues/rock song about not giving up on the person you know you can’t live without. I have six songs I have been religiously taking out to open mics and shows, Theyhave been getting great feedback, and I plan to record them ASAP. Being an independent artist means doing all the jobs! I have been emailing radio stations, submitting for festivals and learning how to make content. That last one has been quite the adventure. Social media is a great tool for getting your music out into the world but there are a lot of people also doing the same. I am going to continue befriending this new guitar, writing and getting my music out there.
Music has given me so much. While I was not focused on my music during “The Lost Years”, I was listening to the music that is imprinted in my soul. (Shoutout to My Chemical Romance!) I want to give back to music what it gave me: strength to make it through to the morning, motivation to find my way back to myself and moments that reminded me what it meant to be alive. Car rides with wind in my hair, slow dances in the dark and shouting my favorite lyrics out into the open air at shows with my favorite people. If I can do that for one person (or thousands!), then my life will be well lived.
More details on Danny and her music are available here: Instagram
Jason Beckham: Long Time Singer-Songwriter Cutting Tracks in Connecticut
Jason Beckham is a singer-songwriter from Athens, Georgia, now based in the quiet corner of Connecticut. His music bridges the warmth of his southern roots with the introspective edge of New England. Known for vivid lyrics and heartfelt storytelling, Beckham weaves together alt-country, folk, and Americana into songs that explore place, emotional honesty, and quiet depth. Happy to have included him in this issue.
I see that you chose to take some time off from making music. As I realize that music can be an actual extension of oneself, did you do anything to attempt to stay connected in any way to song while on hiatus?
I did take some time off, mainly from performing. I wanted to spend quality time with my family while my son was young. Now that he is older and can often attend shows with me, I have a newfound passion for playing and enjoying the moment without a specific destination as the goal. I still played and sang at home frequently, so I always stayed connected with my music, though I was not as prolific during the hiatus. Along with my newfound passion for playing I have found I am writing more these days, too.
One of the many things you do that I admire is the selling of vinyl records. Could you elaborate further on why you choose to place these within your inventory? I am aware of both the popularity of this, but I note that there is a more financial benefit to this brand - as this is a more direct means of support. Have you found this to be financially more beneficial?
It started as a practical matter, I wanted something physical to sell at the merch table. Not many people have CD players these days, so I chose to release some singles on 7" clear vinyl. I do short runs and also include a digital copy of the music. This has been a "best of both worlds" solution for my audience and I have received a good bit of positive feedback on it. Financially, it has not been great because of the high cost of short run vinyl, but I am really just thankful for each and every listener.
Prior to your residency in Connecticut, I know you were in Tennessee and Georgia. Both of these states are rich with opportunity and insanely ideal to launch or grow a musical career. What made you depart these areas? Can you share a few of the positives there, and perhaps, something you will always miss about your former homes?
I moved to Nashville when I was twenty as a guitar player that had written a song or two. I humbly accepted my fate and re-focused on songwriting after seeing so many talented guitar players in town. I also had to learn to sing. At this point I was barely adequate at using my voice, but I kept practicing, writing and eventually felt comfortable playing my songs at venues all over town - the Bluebird Cafe being one. That was my routine for several years, but I began to feel stale and perhaps too rock n roll or esoteric for Nashville, so I relocated to Athens, Georgia. You know, REM, B-52s, etc. Athens was an absolute gem, I was immediately embraced by the town, culture and by my fellow musicians of which I miss the most. I was fortunate enough to have put together a highly credited band to join me on stages and independent radio stations. We even had some label interest from Sony. However, this was a time in my life when I decided to put the starving artist routine behind me, and I relocated with my family to Connecticut. This was the beginning of the hiatus and now I am rebuilding my music career, smarter, with previously absent wisdom and New England as my inspirational backdrop.
I always like to ask about type and technique. I see you play the guitar - what brands are your favorites and why? Also, do you have a so-called routine for preparing to play out in public - as in set time to practice, rituals as far as rehearsal space, tuning, etc.?
My favorite electric guitars have almost always been Danelectro's. I have found the twang and tone of them fits my style and personality perfectly. I do not have much of a ritual for practicing or writing but could benefit from being a little more intentional. Most of what I have written lately was born while my family was on a trip to Costco; some contemplative time for me.
I had read that you have been rehearsing with a new band. I can only imagine the adjustment that takes - so can you share more about how you properly acclimate yourself to working with new artisans? How did you find one another, and is this more of your style vs. acoustical solo?
Yes, I met a couple of talented and genuinely noble fellows in the music scene here in the New England corner of Connecticut. Whenever I see a band I like, I think steal the bass player! We are currently rehearsing to learn some of my older playbook and welcome the new that comes along. What I like about playing in a band is that the music becomes something greater than the sum of its parts. Each member brings another perspective or angle that enhances what I have written. It begins to feel less me, more of something bigger. That is a magical notion for a singer-songwriter.
You are due to release another EP within the next few months. Can you share any small tidbits of what listeners can expect? Also, how much planning and preparation went into putting this project together?
I set out to record a few songs with producer Tracy Walton at On Deck Studios. He has a fantastic studio in the Litchfield Hills and was what I was looking for in approach to my music. We picked a few of my songs and tracked them. The process was exactly how recording should be: relaxed with high quality ears and gear. Listeners should expect a few of my more laid-back folky songs; almost a yard sale compared to my past more bombast releases.
Are there any upcoming events or promotions you have for the remainder of 2025?
I'm playing at Luppoleto Brewing Co on November 9th, and The Packing House on November 12th.
To learn more, go to: Jason Beckham (@jasonbeckhammusic) • Instagram photos and videos
RCC Is Revolutionizing Music With Their Remarkable Melodies
Authored By: Cindy Mich
RCC is a dynamic musical group specializing in original R&B, Pop, and Hip-Hop. This power duo brings a unique blend of familial harmony and industry prowess to the forefront. Adding to their accolades, RCC has shared the stage with mainstream artists such as Soulja Boy, Yolanda Adams, Jacquees, PnB Rock, Lil Flip, 50 Cent, Luniz, The Outlaws, Jeezy, Trina, and Too Short. Their song "Stuck" claimed the number one spot on Power 98.3's request list in 2022, surpassing even Doja Cat. This versatile group has left an indelible mark on the music scene, and I was thrilled to have some time to speak with them.
1. To commence, I see that you are all siblings working together to make music. Some studies indicate that this helps foster relationships, while others say that it can tear a family apart. So, I must ask - how do you handle creative differences or bad days? Further, as musicians who collaborate, do each of you bring something different to the musical table that the others do not offer?
We handle creative differences by always considering the best idea, but, when necessary, we take a vote. Since there are three of us, there is never a tie, which helps in making clear decisions. When it comes to music, we are open to different ideas and perspectives, which allows the creative process to flow smoothly. The biggest challenge is not usually about writing or music, but more about choosing outfits for performances. Each of us has a unique vision, and sometimes those styles do not align. To resolve this, we pick a base color and allow each person to put their own twist on it.
Each of us brings something different to the table musically. Reatch started in rap, hip-hop, and R&B, while Cudos has roots in singer-songwriter music, pop, and R&B. Cherrelle, on the other hand, brings a strong foundation in gospel and soul, which adds depth and richness to our harmonies and overall sound. Her ability to incorporate powerful, heartfelt vocals into our music gives it an emotional edge that resonates with listeners. These different influences help shape our sound into something that blends multiple genres while still feeling cohesive. Additionally, there is an unspoken chemistry that comes from working together as siblings. Our bond allows us to push each other creatively and refine our sound in a way that solo artists or even non-sibling groups might not experience.
2. I see that American Idol was just in Arizona. Did you attempt to audition for this, or does this not appeal to you? Besides yourselves, I understand that many influential musicians come from Arizona. Would you say that your state embraces and helps to empower their artisans?
We actually auditioned for American Idol in the early days when the show first came to Arizona. It was an exciting and fun experience, but it also gave us an inside look at how the entertainment industry operates. One of the judges told Reatch, "You almost made me cry singing that song (Eric Benet - I Wanna Be Loved), but as an inside scoop, we are looking more so for entertainment rather than pure talent at this time." That was a shocking reality check, but it helped us understand that not everything on TV is as it seems. It also reinforced the idea that we needed to take control of our own path rather than relying on a platform that prioritizes entertainment over raw talent.
Arizona has its fair share of influential musicians, but the state is not necessarily known for empowering artists on a large scale. The music scene can feel very independent, meaning that many artists must create their own platforms rather than relying on major industry support. While there are opportunities, it often takes persistence and creativity to break through.
3. From a musical standpoint, how do you stand out among other groups as far as sound, presentation and overall appearance?
We stand out in multiple ways. First, the sibling dynamic gives us an unmatched chemistry, both in the studio and on stage. Harmonizing and performing together comes naturally, and that connection can't be replicated. We also blend multiple genres—R&B, hip-hop, and pop—creating a unique sound that appeals to different audiences. Additionally, we focus heavily on our live performances, ensuring that our energy, stage presence, and delivery leave a lasting impression. Another factor that makes us stand out is our storytelling. The music isn’t just about catchy melodies; it is about real experiences, emotions, and messages that people can relate to. We want every song to feel authentic and impactful.
4. Curious to ask, as you work in music - with the rapid interest in AI, how worried are you about this technology taking jobs from musicians?
AI isn't something we’re too worried about. Even before AI, the music industry was already highly competitive, and talent alone was never enough. There are thousands of artists with incredible skill, but there is only one of us. AI can mimic voices and generate songs, but it cannot replace the human experience—the emotion, the perspective, and the soul behind the music. If we create a song that resonates with people, AI won’t change that. There will always be a space for authentic, live music. At the end of the day, music is about connection.
People don’t just listen to songs—they feel them. AI can’t recreate the moments when an artist steps on stage and delivers a performance that gives the audience chills. It can’t replace the feeling of hearing a song at just the right time in life when the lyrics feel like they were written just for you. That is something only real artists can do.
5. Each of you has a unique backstory. Cherrelle, I see you studied criminal law. At what point did you realize this was not meant to be your regular occupation? Reatch, you were a backup dancer - are you still able to participate in that endeavor while being in a band? Cy, you were quite the football and track star - have you gone on to teach, as I feel like this is a part of you that is permanent?
Cy has done some one-on-one coaching for high school and elementary students, though not through an official program. The passion for sports never left. Even at the gym, it is second nature to help friends with lifting or running techniques. Training never stopped—it just became part of everyday life. Reatch's dance background still plays a role in performances. Being a backup dancer taught discipline, movement, and stage presence, all of which translate into the live shows. Even though the focus is on music now, the love for dance has not faded. Cherrelle’s background in criminal law gave a unique perspective on the world, but ultimately, music was where the true passion was. Studying law required dedication, research, and attention to detail, which are all skills that still help in navigating the business side of the music industry.
6. You have stated that your music is a combination of R and B, rap and pop. Who are some of your musical influences? How successful have you found musical crossover artists are, as you are blending some genres that are typically not synonymous with each other?
Our influences come from a mix of genres, including legendary artists from R&B, hip-hop, and pop. Blending different genres is not always easy, but it helps us stand out. Some of the most successful crossover artists are the ones who stay true to their sound while incorporating new elements. By blending multiple styles, we can connect with a wider audience and create something fresh. The beauty of genre-blending is that it allows for creative freedom. We do not want to be boxed into one category because music is constantly evolving. Some of the greatest artists of all time have succeeded by pushing boundaries, and we aim to do the same.
7. If folks are interested in attending a concert, or meeting you in person - what is up next for you all?
We are always working on new music and looking for opportunities to perform. Stay connected with us on social media for upcoming shows, new releases, and special announcements! Whether it’s an intimate acoustic set or a high-energy performance, we love connecting with the people who support us.
More information on RCC can be found at: RCC_Music | Instagram, Facebook | Linktree
Koffee Brown: Familiar Name, But New Music and Memories In the Making
Authored By: Cindy Mich
It’s been twenty-three years since Koffee Brown has released a new project. The duo is coming back out and Ryan Lane is their new male member. Koffee Brown truly wants to give the fans a taste of old school R&B male/female sound. They are excited to back out singing on stages, and I am excited to talk to them!
It has been twenty-three years since you have released new music. Because that is a bit of time, how do you get back into the swing of things so as to create sensational new tracks? Further, the music industry as a whole has experienced some major shifts in the last two decades. Do you feel that you will be able to grab new fan bases with your new sound and structure?
Our recording process is pretty organic. We just go off what feels good and what we want to speak about from a musical standpoint. Even though a lot has changed over time, we still keep the essence of Koffee Brown, and that is expressing love while having a good time. I am sure we would have no problem grabbing our old fans back and getting new ones. If you love good music, you will love what we bring.
For those unaware, you are from the NY/NJ area. Talk to your readers a bit about being a musician in the Big Apple. I imagine there is much competition for bookings; P2P scenarios in particular venues, and have they clamped down on subway performances?
Yes, we are both from the NY/NJ area. Living in the big Apple is the city of dreams with lots of opportunities. I am sure it is very competitive, but we created a lane of our own and we focus on that. An R&B duo has not been done in so long, so we ae preparing to reclaim our spot. We will be touring not only in the Tri-State area, but all over the world.
Vee, tell me about the adjustments that are necessary when you start creating with a new musical partner. Are there certain elements that you carry forward from your days with Fonz, or this is a totally new recreation? Likewise, for you Ryan, when you walked into this - were you worried that fans would not take well to a different musician in Koffee Brown? Rayn, give us a bit of background on your history in music.
Good Question. No, I was not worried at all, but I knew I had big shoes to fill. People are going to always have opinions, and especially when it comes to a replacement in a group. However, I am focused on what I bring to the Koffee Brown legacy. I have been traveling and performing for years, so I know that my artistry will shine through. Koffee Brown will pick up right where we left off.
Some have indicated that your music is best described as neo-soul, which is a less conventional and more experimental sound than R & B. Would you describe your sound as such? Also, in today's culture, from whom do you derive your musical inspiration?
I don’t know if I would call it neo-soul, but I would say that it was the master mind of KayGee. He has a thing for creating amazing and timeless music that just makes you feels good. In today’s climate we are going to bring back that feeling to music.
Walk me through your typical process for songwriting (assuming you have some sort of routine). Moreover, is this a team effort, or is one of you the lead as to lyrics?
It is definitely a team effort, We base the music on both our vibe and what the track is saying to us. Ryan comes up with a melody idea, and then we exchange words that come from both a male and female prospective. It just floats from there. It is just a conversation we have together or with friends. We focus on keeping the situations real and relatable to the people.
In watching you perform together, you give off such a mutual admiration for each other. You inject such excitement and energy into a room. Does this come naturally, or did this require some practice and planning as to stage performance?
Performing with each other is absolutely natural. We vibe off of each other while doing what we love to do.
Finally, what can we expect from Koffee Brown in 2024?
You can expect "FIRE" from Koffee Brown. Seriously, new fans can expect a great vibe. Audiences will be able to relate and identify with what we are talking about and feel all the emotions that come along with listening.
To learn more, go to: https://www.youtube.com/@KoffeeBrownMusic/
JOHN FAYE
John Faye is a recording artist, producer, mentor, open mic host, and recently retired songwriting professor at Drexel University in Philadelphia. He has seen the music industry from every conceivable angle - from the heights of major label excess to the trenches of DIY guerrilla warfare. His various musical iterations - the Caulfields, IKE, John Faye Power Trip, John & Brittany, and his solo work - have yielded over 150 recorded songs (8+ hours of music), song placements in film and television, substantial commercial and satellite radio airplay. For more details on John, go to: John Faye
Here is our interview:
PROFESSIONAL DRUMMER ZORO
Known by musicians around the world as the “Minister of Groove,” Zoro is an internationally-renowned rock star, one of the world’s most respected and award-winning drummers. Throughout more than thirty years of his career, Zoro has been consistently voted the #1 R&B drummer and clinician by the premier music industry publications Modern Drummer, Drum!, and Rhythm Magazine. Take a few moments to listen in to our video interview, which is below.